“You go home and think of all this,” he said, “and talk about it to-morrow. I don’t think of you as a kid. ” Annabel no longer attempted to conceal her emotion. "Seize this oar," vociferated the waterman. He had assumed that her leaving home was the point at issue, that everything turned on that, and that the sole alternative was obedience, and she had fallen in with that assumption until rebellion seemed a sacred principle. Anyhow, there was some pleasurable satisfaction in knowing where the quarry would be for the next three weeks. She dived at once behind the cover of the lamproom and affected serious trouble with her shoe-lace until he was out of the station, and then she followed slowly and with extreme discretion until the bifurcation of the Avenue from the field way insured her escape. She liked the high, easy swing of the thing over its big wheels, the quick clatter-patter of the horse, the passage of the teeming streets. But no more of that. Wood, now more buxom and more gorgeously arrayed than ever,—as well as a young and beautiful female, in whom he was at no loss to recognise the carpenter's daughter. You lack only that mechanical knack of expression which is the least important part of an artist’s equipment, but which remains a tedious and absolute necessity. I can't give you my hand; but you may take it.
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