Their faces were masks of abject horror, sunken and shriveled, their cheekbones protruding. We smirk, and we’re a bit—furtive. " "Egad, Jack," said Gay, "you should write your adventures. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. Oh! you haven't got the key—then I must have it, I suppose. Making up a similar story to that which he had told the old woman, he said he wanted to purchase a hammer and a file. She was thinking fast now, all her senses on the alert. “Had the pleasure of dining with you at the ‘Ambassador’s’ one night, before the show, you know—last September I think it was. "She tells me there was a Kanaka cook; been in the family as long as she can remember. “It’s like this,” he said, and dragged a stool beside her and sat down with his elbow four inches from hers and made a sketch. ‘You have a knack of saying just the wrong thing. ‘He could have little comfort there, indeed. You couldn’t help it. I am sorry to seem to hurt you, but all I say is for your good.
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