Beneath the serene unconcern of Ann Veronica’s face was a boiling tumult. Well, after all, he seemed to be turning the subject. Coarse as were the ruffian's notions of feminine beauty, he could not be insensible to the surpassing loveliness of the fair creature, who had thus solicited his attention. . On the other a wretched engraving of the Chevalier de Saint George, or, as he was styled in the label attached to the portrait, James the Third, raised a suspicion that the inmate of the house was not altogether free from some tincture of Jacobitism.
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