"I was about to add," continued Gay, "that my opera shall have no music except the good old ballad tunes. The knots and broken pale that made the garden-fence scalable, and gave access to the fields behind, were still to be traced. He smiled. One realized indeed then where the differences lay; the tender curves about Anna’s mouth transformed into hard sharp lines in Annabel’s, the eyes of one, truthful and frank, the other’s more beautiful but with less expression—windows lit with dazzling light, but through which one saw—nothing.
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