Sheppard, faintly. He was aware of trying to scream because he was paralyzed and his legs would not move. He found a coach at the door, with the blinds carefully drawn up, and ascertained from a tall, ill-looking, though tawdrily-dressed fellow, who held his horse by the bridle, and whom he addressed as Quilt Arnold, that the two boys were safe inside, in the custody of Abraham Mendez, the dwarfish Jew. He played for an hour—Grieg, Chopin, Rubenstein, Liszt, crashing music. The walls were pristine white and unmarked except for two sconces and a rather colorless Monet poster that had been framed in an expensive oak surround.
Video ID: TW96aWxsYS81LjAgQXBwbGVXZWJLaXQvNTM3LjM2IChLSFRNTCwgbGlrZSBHZWNrbzsgY29tcGF0aWJsZTsgQ2xhdWRlQm90LzEuMDsgK2NsYXVkZWJvdEBhbnRocm9waWMuY29tKSAtIDE4LjE4OS4xOTUuMzUgLSAwMS0wNy0yMDI0IDA1OjUxOjQ5IC0gMjgwOTAzNjQ5
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